Amy Sherman-Palladino never got Emmy recognition with her critically acclaimed Gilmore Girls. But with The Marvelous Mrs. Maisel, she's at "the center of the TV conversation -- as she should be -- winning Emmys and becoming the single most important producer at Amazon," says Todd VanDerWerff. "Riding high on all that praise, season two essentially affords Sherman-Palladino the chance to make the most Amy Sherman-Palladino show of all time," he says. "There are whole scenes that exist solely because they’re beautiful, including a handful of gorgeous dance sequences set in Paris, complete with mist rolling in off the Seine and the streetlights glowing in the fog. She rarely drops out of wide shots that are as meticulously designed and framed as anything Wes Anderson has come up with, and she’s fond of long tracking shots that follow characters through busy, bustling environments...Long sections of every episode play out as elaborate farce, giving those wide shots the feeling of theater, of watching great actors get their hooks into a big, funny comedic catastrophe. And the show is thrillingly and specifically Jewish. If you’re not Jewish — and no, I’m not — the show opens a window into not just a very particular religious culture but a very specific time period in that culture. Mrs. Maisel is the kind of series that will simply sit back and feature a large section of a Yom Kippur service. Sure, there are jokes interspersed, but the scene is a loving evocation of a specific place, time, and culture. But all this obscures, ever so slightly, just how little story or tension exists within the show."