Scandal outlived its own era, the Obama era, and was effectively made irrelevant by Trump's victory, says Daniel D'Addario. "Along with Mad Men and Girls, Scandal will be on the very short list of series that defined the Obama years, both for its willingness to engage deep conversations on issues of race and its escapist vision of a world in which scandal was still fun," he says. On Scandal, Kerry Washington's "Olivia Pope was not incidentally black but specifically black," he says. "Her affair with a white President whom she also served was written, more and more as the show was emboldened by success, to explicitly reference Thomas Jefferson and Sally Hemings. It was a pairing that was touched by the dynamics of power, and a white man in Scandal’s universe, as ours, has more of it than a black woman." He adds: "Scandal’s unique status as a broadcast-TV drama with a black female protagonist, and the way it made that protagonist a complicated woman who had real conversations about what race meant to her, was well-suited to a time in which the President was, for the first time, able to have similar conversations with the nation. The show came along at the right moment, extending a discussion that was at last happening on America’s most visible stages." But Scandal exits tonight amid a Trump administration that is mired in real-life scandal. "The thing is, there are no real scandals on Scandal; the word implies a public reaction of disgust and disapprobation," says D'Addario. "Scandal spends almost no time with the public, and the resolution of each case—from an untidy murder to an election swinging to the candidate the voters didn’t choose—is, as far as we the viewers can tell, acquiescence. Because everything is breaking all the time, nothing sinks in. In Scandal’s universe, the unending stream of news that might once have seemed unbelievable has become background noise. Scandal got, on some level, that occasional dramas are lots of fun but a news cycle that’s only dramas becomes endurable only by tuning out. It was a show whose time passed, in part because it saw too clearly what it’d be like to live through our own."