The Spanish-language comedy from Julio Torres, Fred Armisen and Ana Fabrega "delights in the sort of breezy surety its whiter sister shows enjoy on HBO, from Girls to Barry or Silicon Valley, even if it has a fraction of the marketing budget," says Joshua Rivera. "Its existence on the only remaining premium network where every show is deemed worthy of consideration by mainstream media is akin to an act of reverse gentrification. It’s a deeply funny meta-joke: All you have to do to get white critics to pay attention is put three little letters next to a show, the same way international cuisines get more attention when you make the portions smaller and add five dollars to the price. It would feel condescending if Los Espookys didn’t run buck wild, making a show that doesn’t seem terribly concerned with being palatable to white people, even as it takes their money. Granted, the show’s placement is an act of disruption enabled by institutional stalwarts like comedy tastemaker Lorne Michaels, and the glow-up that comes with the involvement of popular Saturday Night Live alums like Fred Armisen and Julio Torres — each the rare Latinx artist to serve as performer and writer on the show, respectively. That’s not to say there isn’t tension behind the breeziness. Every character in Los Espookys is in danger of being pulled away to a more mundane life that was decided for them by someone else."